From a recent shoot, I had the privilege of photographing an Audi r8 super car. I had the car for a brief time, and no rigging was permitted, so to make a rolling shot, I edited it in post using Photoshop. Here’s the before and after:
[twenty20 img1=”892″ img2=”891″ offset=”0.5″]
I was attending a conference in Florida a few years ago and noticed this beautiful car parked under the hotel entrances’ canopy. It was the perfect photo opportunity as the canopy blocked the direct sun and most of the reflections. I took advantage and shot a few quick ones. I had forgotten about the shots until recently, and decided to process one.
Here’s the before-after. Not too bad for a spontaneous photoshoot, using the existing light!
Here’s the before after overlay – from the studio and into the forest!
[twenty20 img1=”840″ img2=”839″ offset=”0.5″]
I like showing the transformation of a photo. To learn how I did this, see my previous post here: Appa the Dog Photoshoot
When I’m photographing into the sun, I often do so with the intent on silhouetting or purposefully adding lens flare.
When it doesn’t happen, I can add the effects in post processing. By adding sun rays and lens flare, it can add mood to the scene. Here’s the before and after on a shot I took a few years ago while hiking in the Ramapo Reservation Park, in New Jersey.
Here are the abbreviated steps in Photoshop (Substitute CTRL for CMD if you are using a PC):
1) CMD -> Click on the RGB channel to load the luminosity. Create a new alpha channel and fill the loaded selection with white.
2) Boost contrast of the new alpha channel with levels. Use the black eyedropper and click on a dark area. Use the white dropper and click on a bright area.
3) Load the new alpha channel as a selection in a new layer and fill the selection with white.
5) Go to filter menu -> Blur -> Radial Blur -> set amount to 100%. In the preview window, move the center of the radial blur to the relative brightest spot in your photo.
6) Hit CMD-F to Re-apply the filter to soften the blur.
7) In filter effects, add an outer glow with a yellow-to-whte gradient, if you want to enhance it further.
8) To add more contrast and drama, add a new layer above the bottom-most layer. Load the alpha channel, invert the selection, and fill with black. Use the opacity slider to lessen the effect if it’s too dark. Use the Output Sliders (Know as the “Blend-If” sliders) and drag the black and the white sliders in towards the center to add more contrast.
9) Add lens flare – Create a new layer on top and fill it with black. Go to Filter -> Render -> Lens Flare. I chose the 50-300mm zoom and left it at 100 %. Choose Screen from the blending mode.
Before and After
I recalled a scene from the movie “Julia & Julia”, a story about Julia Childs starring Meryl Streep and Amy Adams, where Julia, played by the incomparable Meryl Streep was sitting on a bench in a Paris train station.
In reality, the scene was shot in the historic Hoboken NJ train station, because it resembles the early stations in Paris around 1949 when Julia Childs lived there early in her career. I pass through the Hoboken train station twice each day for my commute to work.
So, I thought I’d bring a small point-and-shoot camera to be discreet, and take some shots of the station. I Processed this shot in Lightroom 4 and OnOne’s Perfect Effects, and here is the before-after of the very same bench Meryl Streep sat on in the movie.
If curious, you can read more about it here.
After being inspired by the latest Perfect Inspiration video by Brian Matiash, I remembered a shot I took of an old rusting tractor in 1999. I thought I’d go back and re-visit post processing to enhance the shot further.
I loosely followed the steps on epsiode 16, getting lost, but changed a few things to better suit the tractor photo.
I think you’ll agree, it’s a decent improvement. As I do more, I’ll continue to post more before and after shots.
I used Lightroom 4 to make the initial minor adjustments, then OnOne’s Perfect Photo Suite 6.1 to add the gritty feel, vibrance and selective focus. I created several layers with various blending effects to bring out the rusty decay in the photo. By adding the focal-point, selective blur effect to the background, it brought out the tractor, adding dimension.
Below is the before-and-after. Drag the slider left or right to see the comparison.
Much thanks to OnOne software’s Brian Matiash, for his terrific series of videos that inspire and teach at the same time. It’s helped me learn to use their software.
Thanks for visiting!
My first post in a series that show some of my photography, before and after processing. This shot was taken last year in October. It was a cold, dreary day, and we decided to drive to Brooklyn and take some shots of the bridges by DUMBO (Down Under the Manhattan Bridge Overpass). This is an iconic place with an amazing, panoramic view of the east side of New York City in between the Brooklyn and Manhattan bridges.
The original (before) photo was shot in the camera RAW format. As you can see, there’s no detail in the sky, and the shadow areas are too dark. Although you can’t see the detail in the sky, it’s not lost, but is contained in the 16 bit file. By using Adobe Lightroom 4 to process the photo, I brought out the missing detail in the sky, and brightened the shadow areas of the bridge, this is a perfect example of how much information you can pull out of a RAW file.